Palette to Placement
Who Is Your Collector — and Do You Actually Kno...
Most artists can describe their work in extraordinary detail — but ask them to describe their collector and the room goes quiet. Knowing who buys your art isn't a marketing...
Who Is Your Collector — and Do You Actually Kno...
Most artists can describe their work in extraordinary detail — but ask them to describe their collector and the room goes quiet. Knowing who buys your art isn't a marketing...
Your art career can start — and peak — in a mar...
Career tool or career distraction? A working artist's honest guide to farmers markets and art fairs — what they do well, what they don't, and how to use them with...
Your art career can start — and peak — in a mar...
Career tool or career distraction? A working artist's honest guide to farmers markets and art fairs — what they do well, what they don't, and how to use them with...
The Artist Statement- The most underestimated d...
Your artist statement may be the most important document in your submission package — and the most overlooked. This issue breaks down what gallery directors are actually reading for, and...
The Artist Statement- The most underestimated d...
Your artist statement may be the most important document in your submission package — and the most overlooked. This issue breaks down what gallery directors are actually reading for, and...
Where Is Your Cannon Beach? Creative Community ...
The history of art’s greatest creative explosions — from Warhol’s Factory to the Lost Generation in Paris — shares one underlying pattern. Nicole walked the galleries of Cannon Beach and...
Where Is Your Cannon Beach? Creative Community ...
The history of art’s greatest creative explosions — from Warhol’s Factory to the Lost Generation in Paris — shares one underlying pattern. Nicole walked the galleries of Cannon Beach and...
Introducing Palette to Placement — A Newsletter...
There's a question I hear from artists constantly — in galleries, at receptions, at open studios. It sounds different every time, but underneath every version is the same thing: I'm...
Introducing Palette to Placement — A Newsletter...
There's a question I hear from artists constantly — in galleries, at receptions, at open studios. It sounds different every time, but underneath every version is the same thing: I'm...